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from Walkmans to wireless despair
Tactical

from Walkmans to wireless despair

Jimmie Dempsey
Last updated: August 19, 2025 12:58 am
Jimmie Dempsey Published August 19, 2025
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Whether pressed against the side of a Humvee or hunched under a poncho liner shade at a patrol base, music has always been more than a distraction for deployed service members. It is a lifeline.

For troops in the field, deployment playlists are not just about taste. They are about memory, morale and survival.

This is the journey of the soldier’s soundtrack, from Walkmans to Bluetooth earbuds, from Desert Storm to TikTok remixes.

Walkman era: tactile saddlebags of sound

Before the cloud, there was the cassette. In the 1980s and 1990s, many troops deployed with Walkmans or portable CD players stuffed inside their rucks. Tapes were often mailed from home, shared among squad mates or bought at PXs in bulk. You could count on a handful of classics making the rounds: AC/DC, Metallica, Garth Brooks and maybe some R&B to round out a fire team’s vibe.

The music was limited, but it was yours. Rewinding a tape mid-patrol or swapping batteries during a rest halt gave a sense of normalcy. It was tactile. It was something to hold when everything else felt like it could slip away.

Burned discs and the iPod invasion

As compact disc players gave way to MP3 players and eventually iPods, troops began arriving in-theater with entire libraries in their pockets. Burned mix CDs from home were still standard, especially during early rotations in Iraq and Afghanistan, but by the mid-2000s, Apple’s click-wheel was everywhere.

The original iPod, released in 2001, allowed users to store up to 1,000 songs in their pocket. By 2004, Apple was selling millions per quarter. Many service members used the iTunes Store to build pre-deployment playlists, which they later traded or passed around on hard drives in tents and barracks.

Information Systems Technician 3rd Class Thania Cuevas shares music on her iPod with Filipino children at a Medical Civil Action Program site in 2008. (Navy)

Streaming era: access at a cost

Today, deployed troops rely heavily on streaming services like Spotify, Apple Music and YouTube to create and share playlists. Most installations have internet access through commercial providers or Wi-Fi from third-party satellite services. In some cases, troops also access mobile data networks, depending on region and security protocols.

But streaming has its limits, including buffering issues, account restrictions or limited bandwidth depending on location. Some services require periodic authentication, which can fail in austere environments.

Convenience has increased, but control has not. A cassette may have been clunky, but it never failed because of signal loss.

Streaming can also lack the personal connection to the medium. Tapes and burned CDs were made by someone, for someone. A playlist generated by an algorithm may be convenient, but it rarely feels personal.

Yet the function remains. Music still fills the gaps between missions. It still drowns out the stress before stepping outside the wire. It still softens the blow when the world gets heavy. Whether it is cranked through a Bluetooth speaker in the motor pool or whispered through earbuds under a Kevlar, the playlist remains a constant.

Veteran voices: songs that defined deployments

Ask any veteran what music defined their deployment, and the answers range from brutally honest to painfully funny. For troops who served during Operation Iraqi Freedom, Drowning Pool’s “Bodies” and System of a Down were almost inescapable. Afghanistan rotations might come with Eminem, Rise Against or Toby Keith.

On Reddit, former troops continue to share “deployment playlists” years after their service. In one recent thread, a user wrote, “If you didn’t listen to Bombs Over Baghdad while cleaning a 240, did you even deploy?”. Another listed “Sail” by AWOLNATION as the soundtrack to their entire 2012 deployment, played daily while manning a checkpoint.

Songs mark more than mood. They become part of memory. That Linkin Park track might be tied to a rocket attack. That Rascal Flatts song might mark the final patrol before RIP rolls in.

Some songs arrive organically. They do not get chosen — they get embedded. A 2004 deployment might forever be linked to Evanescence because that was the only CD someone brought. A 2010 tour in Helmand might recall Katy Perry because the interpreter played it daily. Troops do not always get to choose what becomes iconic. Sometimes the soundtrack chooses them.

From combat audio to combat content

Music also shapes video content created downrange. Troops recording TikToks parody music videos or lip-sync to popular songs. These videos sometimes go viral, but they often begin as small morale projects. For many, it is not about followers. It is about staying sane when time slows and tensions rise.

Platforms like TikTok, Instagram and YouTube Shorts have turned these mini-productions into time capsules for deployment. Some commands frown on the practice. Others quietly acknowledge that humor and music keep things from boiling over.

The medium has changed, but the meaning has not. Music has always been part of deployment, as essential as caffeine or sleep. It shapes memory. It eases the suck. And it reminds troops who they were before, during and after the war.

The playlist still rides shotgun. It just updates automatically now.

Observation Post is the Military Times one-stop shop for all things off-duty. Stories may reflect author observations.

Read the full article here

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